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Under Project Auto Save , you can choose where the auto saved files will be stored. The easiest way to do this is to connect your memory card to your computer using a card reader, and drag and drop the contents into a folder that will contain both your project file and video files onto the computer or external hard drive. You should not edit the AVCHD folder or any files within this folder, or you risk corrupting the video footage.
It is necessary to import your media into Premiere so you can begin editing. A finder window will open, and you can select the folder or individual files you want to import. You can view the files that are available on your computer or external hard drive and import them into Premiere. Video files will appear as icons showing the first scene from the clip. You can also adjust the slider at the bottom to increase the size of the icons, and click on the three horizontal lines to sort by name, filetype, etc.
This, in conjunction with zooming on thumbnail view, offers an easy way to scrub through your videos and preview your clips. Double click on a file to preview it in the Source pane, located directly above the Project pane. This does not import the file, but allows you to play the clip, and scrub through it in a larger view. Premiere Pro CC will import the file and it will appear in the Project pane. You can also copy files from a media card to your computer and import them into Premiere in one action using the Media Browser.
This will copy media from your card to your computer, and import all at once. Adobe Media Encoder must be installed to import files this way. To start, in the top bar of the Media Browser, select the checkbox labeled Ingest. Then click the wrench next to the Ingest checkbox to verify your settings. The Project Settings window will open to the tab called Ingest Settings. Primary Destination: Defines the location where the files will be copied. By default, the files will be placed in the same folder as your project file.
Click OK to save your settings. Navigate to locate your card using the Media Browser tab. Your media card should be under Local Drives. You can toggle the arrow to find the specific card you want to import files from. Right click on the file or folder you wish to import, and select Import from the menu options. The media files will be copied from the card to your project file, and imported into your project.
Another program called Adobe Media Encoder will open and show you a progress bar as the files are being copied, but you can ignore this and start editing immediately. There are multiple ways to use the Undo function. Navigate to the horizontal menu bar at the top of the page, right click Edit and select Undo from the menu.
In order to edit the footage you imported, navigate out of the Media Browser, to the Project tab in the Project pane. Double check that you are working in the Project pane and not the Media Browser.
You can change how you view your footage- in a list or as icons you can scrub through -by selecting between two buttons in the bottom left of the Project pane. You can view clips in the Source pane for a larger preview. Double click on a clip, or click and drag it onto the source monitor to preview. Once a clip has been loaded in the Source pane, you can use the buttons on the bottom, or the space bar on your keyboard to playback or pause the video. You can drag it left or right to scrub forward or backward in the clip.
J will rewind, K will pause, and L will play the clip forward. Clicking J or L multiple times will speed up playback forwards or backwards. Before you start editing, you need to create a sequence. A sequence is a container for all of your edits.
Sequences are organized and accessed in the Project pane and edited in the Timeline. You can have multiple sequences in one project, or do all of your editing inside one sequence, it just depends on how you work.
To create a new sequence, navigate to the horizontal menu at the top of the screen. You can change settings here to match the video format for the camera you used for this project.
This setting matches the resolution and frame rate we use with the Sony x70 camera. To create custom settings, open the Settings tab, located to the right of the Sequence Presets tab.
Click the Save Preset button in the bottom left of the window. A new window will open, prompting you to name your preset. Name the preset and click OK. Your preset will be available in the Sequence Presets tab, within the Custom folder at the bottom of the list of Available Presets.
You can use your custom preset for future projects where you are editing video from the same camera. Premiere Pro CC will do this automatically when you drag a video clip from your Project pane into the Timeline.
It may only appear after you drag a clip into the Timeline from the project window or source monitor. You can add a clip to a sequence in the Timeline by dragging it from Source pane on the top left of the screen, down to the Timeline pane on the lower right. Alternatively, you can drag and drop video footage from the Project pane directly into the timeline. Drag the clip to the V1 video track on the timeline and release. Drag the icon that looks like an audio waveform, which appears just below the preview on the Source pane, to the audio tracks in the timeline.
Grab the icons just below the preview on the Source pane that appears like a film strip, and drag it to the video track of the timeline. You can also highlight a portion of the video as you preview it in the Source pane, to drag a selection into the timeline, rather than an entire video clip. Click where you would like to begin the selection using the blue playhead. The area you have selected will be highlighted in the Source pane.
Drag and drop the selection into the Timeline pane to edit. The timeline is where you will do your editing and build your final video. Video clips appear as horizontal bars in the timeline.
Those in the upper half Lines marked V1, V2, V3 etc. Those in the lower half A1, A2, A3 etc are audio content. The thin vertical blue line is the playhead, and it shows your position in the timeline. When the playhead is over a video clip, the video will appear in the program pane above.
For example, one video track will cover another. You can only view the top video clip in the Program pane. They play backwards, pause, and forward, respectively. Zooming in and out on the clip allows you to view the seconds or minutes more closely, and edit your footage more precisely. You can move video clips around in the timeline by clicking and dragging them up, down, left or right. You can shorten clips by clicking on the edge of a clip and dragging it in.
When you hover your cursor over the clip, a red arrow will appear. Click and drag inward to shorten the clip to the desired length. You can also lengthen a clip by clicking on the edge and dragging it out to the right. If you have a clip with both video and audio tracks, and you want to change one track without affecting the other such as deleting the audio track , you can unlink them.
To separate audio from video, click the Linked Selection button, which has an image of a mouse cursor over two bars. You now can move the video and audio track clips independently of each other. For example, holding Alt will let you click and only select one audio track from a linked pair.
The Snap icon looks like a U-shaped magnet, and should be highlighted blue if it is on, and white when it is turned off. You can also click S on your keyboard to turn it on and off. The razor tools is ideal for editing longer clips, like interview segments. You can bring the entire clip into the timeline and use the razor tool to make cuts to the clip.
For a shortcut, you can also press C on your keyboard. Your cursor will change to a small razor icon while you are using this tool. Click on the video clip at the point where you want to cut it. Or cut the clip multiple times to create a segment in the middle that you can remove. You can make shorter selections from video clips while they are displayed in the Source pane to simplify editing before you bring clips into the timeline. You can select only the best parts of the clip to bring into the timeline, so you can edit out any unnecessary footage.
In the Project pane, double click on the clip you want to edit to display it in the Source pane. You can also scrub through a clip by clicking on the blue playhead just under the clip and dragging it to the right or left. You will see a highlighted blue area in the scrubber bar below the clip showing the selected area. The in and out points can be adjusted by clicking and dragging on either edge of the blue section of the scrub bar.
If you want to put a new clip at a point in the timeline where it will overlap with an existing clip, you have two options:. You can do Overwrite or Insert edits by moving a new clip to the same track in the Timeline as the existing clip or by putting the new clip on a new video track above the existing clip.
If you do an Insert edit on a new track, it will still split the original clip on the track below. When you drag a clip to the timeline, Premiere will automatically overwrite the overlapping portion of the existing clip with the new clip. This will be indicated by an arrow pointing down. That will split the existing clip on the Timeline and move the rest of the clip further to the right on the timeline to make room for the new clip.
This is indicated by an arrow pointing to the right. In the Project pane, click to highlight the video clip you want to insert into the timeline. If you use the keyboard shortcuts or the buttons, Premiere Pro will place the clip where your playhead the vertical blue line is located in your timeline.
You can control where clips go when you add them from the source monitor, or when you copy and paste them. The rows with blue highlighted letters, to the left side of the Timeline pane, control where video clips are placed. The far left side refers to what is in your source window. The below image is saying I have a clip loaded that has one video track and two audio tracks, and that if I drag it into the timeline, it would be placed on video track V1 and audio tracks A1 and A2.
You can move these targets around to change where clips will be placed. In the below image you can see that the source targeting has been moved to video track V3 and audio tracks A3 and A4.
When clips are added from the source window, this is where they will be placed. This is called Track Targeting. So if you copy a clip, by default it will paste into video track V1, but you could change that by clicking the highlighted video and audio tracks to turn targeting on or off.
By default, clips will paste into the innermost targeted track. So right now, if I copied and pasted a clip, it would appear in video track V3 and audio tracks A3 and A4. By default, Premiere Pro provides three tracks of video and six tracks of audio in the timeline. You can create additional tracks by dragging clips above or below the outermost tracks. You can also create additional tracks in the horizontal menu at the top of the screen. A new window will appear called Add Tracks.
Enter the number of video and audio tracks you would like to add, and choose where they will be placed. Click OK to add the tracks. If you have multiple tracks of video, whatever video is on the top track in the timeline will be shown when the sequence is played, and any other video clips underneath will not be seen.
If you have multiple audio tracks then all the audio will play simultaneously no matter which is above or below the others on the timeline.
To hide the video from a particular track in the timeline:. You can set markers on clips in the Source, Timeline or Program panes to help keep track of clips when editing video and audio.
The marker creates a snap-point on a clip or the timeline that the playhead will lock onto. You can set a marker during audio editing at the downbeat so you then can position a video clip to begin at precisely that point. When using multiple markers, it can be helpful to change the color of a marker and give it a name.
To edit, right click on the selected marker, and choose Edit Marker… from the dropdown menu. You can change the name and color of the marker in the window that opens, and click OK. Audio tracks, both those associated with your video or independent tracks that are just audio, are displayed below the video tracks on your timeline. In Premiere, there is a horizontal line through the waveform that represents the base audio level. You can drag this line up or down to adjust the volume of the clip.
You also can raise or lower the audio at multiple points within a clip to create fade ins and fade outs with your audio. Do this at the points where you want the audio to change.
Another way to do add keyframes is by selecting the Pen from the tool palette, and clicking on the white line. Already very brief, the tutorial is made even easier to navigate thanks to being divided into useful sections, which you can easily jump between.
Watch the whole tutorial or pick your way through individual segments on topics like 'creating sequences', 'selection tool', 'track management' and 'adding text'. This tutorial is accessible and concise but also very informative. Produced by Shutterstock Tutorials, this Premiere Pro video tutorial offers a full introduction to the basic cuts video editors can use to switch between footage. Logan Baker runs through multiple cutting methods with explanations that make them easy to execute and extremely effective.
Nathaniel Dodson opens in new tab has put together a clean, succinct Adobe Premiere Pro tutorial that presents a quick way to edit videos. He shows the final result of his three-point edit and walks you through each step. What we love about this video is the inclusion of keyboard shortcuts with detailed explanations. It walks viewers through the process in real-time, which is a highly effective way to learn. Although there is some assumed knowledge, it only takes 12 minutes to complete the entire process, and it's doable even for a relative newcomer to Adobe's software.
If you want to dip your toe a little further and learn about the workflows used by established professionals, take a look at Parker Walbeck opens in new tab 's eight steps for editing video in Premiere Pro. Walbeck goes through the entire process, from importing and selecting footage and building the story, right the way up to colour grading , sound design, and adding titles before exporting the finished product.
This comprehensive introduction to Adobe Premiere Pro makes the bold claim of being able to teach Premiere Pro in 30 minutes, and it does that very well. Josh Olufemii and Kirk Cedric walk through every basic operation, from launching the software, setting up your project options and organising your media, to basic operations like using the play head, importing footage to the timeline, and adding effects and transitions. It's a brilliantly informative, and also highly entertaining, alternative guide to using the software, with plenty of handy tips scattered throughout.
Getting to grips with the basic tool functions in Premiere Pro will allow you to build a strong foundational knowledge and make your editing workflow much faster. Think you know it all? Even if you're already a regular user of the software, we reckon you'll find something new to learn from this advanced Premiere Pro tutorial.
It covers five essential advanced tips, including time-saving techniques like automated sequence editing and multi-camera editing. Your flow might just become a lot smoother if you incorporate these tips into your process. This tutorial drops straight into a crash course in colour grading in Adobe Premiere Pro using the built-in Lumetri colour tools. After a brief overview of the layout of Lumetri, Denver Riddle delves into colour grading footage through using Lookup Tables and manual fine-tuned adjustments to various colour parameters.
That might sound a little daunting for anyone just starting out, but Ignace Aleya makes the world of title animations very clear, helping to reduce the panic. Aleya demonstrates exactly how he creates his own text animations, including where to go in Premiere Pro and which buttons to press.
With a little practice, you too should be able to create awesome title animations that will help your videos to stand out. Jordy Vandeput demonstrates five ways to add neat visual effects to video with a mix of basic and intermediate techniques that combine filming and editing tricks in Premiere Pro for quality results.
Follow along to learn how to cast your own lightning or even change clothes in an instant with the aid of a simple cut. Even the most skilled editor will sometimes find themselves faced with footage that seems just too shaky to use.
However, as Justin Odisho points out in his video, Premiere Pro has a tool to stabilise that shaky video and turn it into something that's not only useable but actually looks very smooth.
The tutorial only takes five minutes to watch, but the knowledge here will help aspiring video editors for years to come. Join now for unlimited access.
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